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All of you know my warm feelings towards the Coronados. This 1955 model is the first year of this versatile and powerful utility classic. It will always be one of my favorites. My own user boat right now is a Cadillac powered ’56. This particular ’55 comes from my home state of Indiana and is powered with the 331 Hemi…a popular option that year. The stock Hemi, though, weighing in at nearly 1200 pounds with a rating of 185HP makes it a rather inefficient engine. Most owners with this engine have had them ‘boosted’ up…some with more than 300HP. That’s the beauty of the Hemi; you can do so much with them.
Anyway, the owner and I had talked some time earlier about his boat needing some attention when, during vacation with his young family, he called to say the boat took on much water to the point of it being unusable. After dropping the boat off at the shop it was clear to see why. As with most original-bottom Centurys of that vintage she had much rot near the transom, including a fairly significant hole on the rear chine plank. Our task is to replace the bottom, complete strip and refinish, re-chrome, tweak and detail the Hemi power, and attend to any other mechanical issues. We’ll discuss down the road the possibility of new upholstery…which can be fairly expensive on these highly upholstered Coronados. So, let’s get started on the important stuff first, then we can decide later on more of the cosmetics. |

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The Coronados are ‘over-built’ boats in many respects to accommodate for the large power plant options they offered. In other words…they are very heavy. Once we got her properly braced up, it took five of us to roll her over, and three got hernias. (No, not really…it was just one.) More bottom problems became apparent once upside down. The photos tell the tale. As always, we repair what we can and replace the rest. The chine had pulled away from frames in a couple of areas, so we also had to pull that back in with long bar clamps, and then re-bolt to the frames. Old battens are never reused and always replaced with new, and then the framework is sealed with CPES and painted with thinned bilge paint to get those in-accessible areas and provide a better surface for the inner Okume ply…which we always do on Centurys. Again, Century used single plank batten-seam bottoms, but we will only replace them with double planked bottoms. It only makes sense while you have it in this condition and the cost differential is insignificant. |

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Allllll-righty-then. I guess a photo really is worth a thousand words. And guess what? Most of these problems can exist without the owner even knowing about them…other than gobs and gobs of water finding its way into the bilge. It’s clear the Hemi was leaking some pretty major oil as its residue was over everything. We had to spray the bottom structure with de-greaser and then power-wash to clean it up before proceeding. Once we could actually see the bottom we noticed a few cracked frames, the always infamous triple-laminated bottom transom frame was trashed, along with the stringer plywood supports, and finally a 1” hog in the keel. All was dealt with before moving on to replacing the battens. |

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“Just sit right back and you'll hear a tale, a tale of a fateful trip, that started from this tropic port, aboard this tiny ship.” Yes, that’s right…it’s the first line of the ballad from one of my favorite TV shows from the 1960s---‘Gilligan’s Island’. This Lyman is actually one of my own boats. I have two close boating friends that each have one of these fantastic boats, and the first time I saw it I thought, ‘I have got to have one of these’. They’re large; twenty-six feet long with more than eight feet of beam, a V-berth, head, sink, ice box, counter space, a dining table, and this one even has the hardtop with ventilating windshields.
Jan and my favorite kind of boating are on river cruises. You get to run your boat for long stretches, the scenery is constantly changing, and you get to stop at all kinds of interesting places. So, as we want to do even more of this type of boating Jan asked me to find a Cruisette so we can do more cruising with some female-friendly amenities (i.e. indoor head). As luck would have it I did find one near Sandusky, OH where the Lymans were manufactured literally sitting in a field left to rot. Although she was in pretty bad shape it was something our shop could definitely handle. As soon as Jan saw the white boat she exclaimed, ‘Hey, it’s the Minnow!’ And that’s how she got her name. Now everyone who visits the shop refers to this Lyman as the Minnow (as in Gilligan’s boat namesake). Actually the boat on Gilligan’s Island was a 1964 Wheeler…but so what? |

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Lymans are not all that sexy as far as classic boats go, but they are without a doubt one of the most under-rated boats ever produced. Everyone I know that has one swears by them and would never consider parting with their lapstrake boat. The Lymans, probably more so than any other boat, has a rightfully earned reputation of handing even the roughest of water with great ease due to its steep entry and over flared forward hullsides. Its lapstrake design also does an excellent job of keeping everyone dry. This is actually our first real experience restoring a lapstrake boat, so we’re on a little bit of a learning curve here…as they are a completely different animal that the standard caravelle planked boats were accustomed to.
As you can see from the photos we have a lot of work ahead of us. Other than a badly needed refinish, she had some structural problems as well…a hogged keel, two severely hogged areas in the bottom from sitting too long on an improperly fitted cradle, a stuck engine, and much rot along the sheer and transom. Were do we start? Of course, with the bottom. We removed the hardtop, engine, most of the interior and then constructed a cradle inside the boat attached to the stringers and just about any other solid part of the boat we could find. It took eight of us to roll her over…but no one got hurt and the cradle didn’t budge an inch |

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Much to our pleasant surprise we found absolutely no rot in the marine plywood bottom. We kept poking around but just couldn’t find any. Frames were another matter, however, so we steam bent a bunch of those and replaced as necessary. The bottom wood was just too good to replace, so we decided to keep it. We soaked the hogged areas with water for two weeks then made some reverse clamps from the interior and worked the hogs out with little effort and allowed to dry for two weeks. When we removed the clamps the bottom straightened out and kept its shape. Whew! I really did not want to replace it if possible. The keel fin was just worn out, so we made a new one of those as well. We replaced some fasteners, sealed with CPES after sanding down, primed and painted. Now she’s ready to roll over. Already I can hear the ‘Minnow’ saying, ‘Thanks, my back was killing me and I feel better already’. |
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1956 Chris-Craft 21' Capri |
I’ve lost count, but I believe this is our fifth or sixth Capri…and I just love the looks of these boats. They are without a doubt one of my all time favorite Chris-Crafts. Most of you know my kids learned to boat in a 19’, but the 21’ is the better looking of the two and provides a much better ride.
This particular boat comes all the way from Hot Springs, AR and is begging for some bottom attention and an overall refinish. She’s been repowered with a 283 which will make her really scoot. The engine hatch is not correct, as are some other items which we will do our best to remedy.
After pulling the engine, we rolled her over and was amazed she would tread any water whatsoever. Have a look for yourself. I don’t think the owner had any idea how bad the bottom really was. |

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Well, we had to make multiple frame repairs, but was able to save the bottom structure. After making sure the boat was straight, we sealed and painted the frames, chines, and keel before proceeding to the inner Okume layer. No problems, then it was sealed with CPES and glued down with 5200. While that was curing, the bottom planks were fabricated using the old ones as patterns. We oversized the width of the planks by about 1/8” due to the massive shrinking that had occurred to the original planks, then planed to size where needed…leaving about a ‘penny’ gap between the planks for the 5200 ooze. |

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After dry fitting all the planks we removed, sealed both the Okume and inside of the planks then laid them down with about three cases of 5200. This is when it’s nice to have a pneumatic caulk gun, as I’d have about the most severe case of carpal-tunnel known to man hand squeezing all those tubes. They went down fine; we installed the butt blocks and intermediate battens and then waited several days before filling the screw holes and fairing. Next is much attention to the hullsides and decks before we can even begin to think about staining. |
********* UPDATE *********
We did replace the chine planks and some of the transom planks, as they were less than 1/4” thick in some areas. After finishing the bottom the Capri is rolled over and the job of getting the hullsides and decks ready for staining is next. The hullsides were in pretty bad shape and more than a hundred fasteners were removed, replaced and re-bunged. It seemed at times we were just going in circles. We thought we had all of the thin bungs replaced, only to find a few more, then a few more after that. The engine hatch was just plain toast and could not be saved. It had been worked on earlier, as there were two pine 2x4s that were cut into frames and then screwed together with common drywall screws. It was a dickens getting those removed. We rebuilt the frame with all new mahogany and then re-planked. The Capri’s engine hatch and rear deck planks are cut at an angel which requires a jig to get it just right. As we’ve done so many of these now we just keep using the same jig we used on the first one. It always makes quick work of getting the cut perfect. We prefer to take one entire strake of lumber and run it from the forward end of the hatch all the way to the transom over the rear decks. That way the grain will appear consistent from beginning to end, and makes a very nice appearance.
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After we finally re-bunged and faired, it was decided to bleach due to using both old and new wood. Bleaching, if done correctly, can do wonders for bringing wood up the same color. Be sure to let thoroughly dry for forty-eight hours before attempting to stain. The two-tone stain was applied and allowed to dry for forty-eight more hours. Now it’s on sealing and varnishing. We should have this boat ready to go within the next couple of months. |

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1948 Chris-Craft 18' Sportsman |
This is the second boat we’ve done for this gentleman, the first being a U-22. Although this particular boat is not in as bad of shape as the first, she is still crying for help. She also comes with two engines to choose from…both pretty much in pieces and in boxes. One is a K and the other a KL. She’s to get what we call the ‘Full Monte’, or everything including new bottom, replace any and all bad hullside and deck planks, rebuild engine, new interior and flooring, re-wire, etc. In other words, make her beautiful and water ready. Well, we do indeed have our work cut out for us.
We magnafluxed both blocks and after checking out we decided on the KL, as it’s a little more horsepower and will be appreciated. While the engine is being done we do what we always do first…the bottom. We rolled her over and removed the very tired inner and outer planks…and you can see how bad the fabric was in between the layers. We cleaned up the framework, replaced any worn bolts and tightened up the rest. No real surprises other than a few minor frame repairs. The stem/grip were also questionable, but we were able to save both of those with a little work and move ahead. |

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Once the bottom was completed we proceeded to replacing multiple cracked hullside and transom planks. It’s always a little tricky when attempting to get just the right fit between two other planks, so we always overcut the plank by 1/8” or so, then hand plane small sections at a time to get it as tight as possible. It’s old school…but works like a charm every time if you’re patient.
We had hoped to save the decks and covering boards, but they were in too bad of shape so we replaced all of those…with very fine results. Sometimes the cost of replacing is little more than taking all the time to repair…and the result is always much better.
Replacing fasteners, bungs, fairing, and finally bleaching and now this cute little Sportsman is ready for stain. We like to make up our stain to a ‘tomato soup’ consistency. Too thick and it does not saturate the wood well enough, too thin and the color is not right. Always try the stain out on a sample piece of mahogany prepared just as the boat. Wipe in on, wait a minute and then wipe off in the same direction as the grain. We don’t rub…it can leave a blotchy appearance. Once stained let the boat sit for at least two days before applying the first coat of sealer. More wood grain will show as coats of varnish are applied. |

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1947 Chris-Craft 22' Sportsman (U22)
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The early post-war U22s were probably the most non-standard looking of the utilities produced by Chris-Craft. They still had the great lines, comfortable ride, and lots of interior room customers became accustomed to. They were still plank-on-frame batten-seam boats that were well constructed, but the hullsides, interior ceiling boards, dash, and bottoms were of Spanish cedar rather than the customary mahogany Chris-Craft relied upon. Right after the war it was difficult, as you might imagine, getting Philippine mahogany in the quantities boat builders needed to gear up the production of pleasure boats. After all, that area of the world incurred some pretty serious damage during the war. To stretch the preferred mahogany as far as they could Chris-Craft used the water resilient cedar and then painted the hulls white, as the cedar just did not stain up to their standards. Mahogany was still used for the fore and aft decks, as well as the transom. Some just don’t care for the white/natural Sportsmans and for years they were kind of looked down on as second-class citizens of the Chris-Craft family. Now, however, they have really gained the popularity they deserve, and many classic boat owners believe them to be one of the more attractive boats produced by Algonac boat manufacturer. The color contrasts with the white hullsides, mahogany decks and transom with the red bottom makes these boats one of the most eye-catching classics on the water.
The owner brought us the boat with the task of replacing the bottom, transom, decks, hull planks as needed, and giving her a badly needed refinish. He knew there were some other issues, but until we removed the bottom no one really knew how much she needed. Unfortunately, our client had purchased the boat from an owner who left the boat outside unattended for quite some time and much damage resulted. The new owners already have the Chrysler power and all the chrome done, so they will put her back together themselves.
Once we rolled the boat over and began removing the bottom we new we were in trouble. Just take a look at the photos and you’ll know what I mean. The keel, stem, and gripe were nearly gone, as well as the chines broken and just plain rotted out in multiple places. Every bottom frame will also have to be replaced, as most crumbled in our hands as we gently removed the bottom planks. A huge nest of wood-eating ants had infested nearly everything. I’m really surprised she did not simply collapse on herself while being trailered.
So, we’ll spend some time getting her better supported after we make certain the hull is straight. Then we’ll begin with the structure, getting that completed before moving on to the actual bottom. This is going to be a long term project, but well worth the wait when finished.
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********* UPDATE *********
Whew! This U22 has turned into a real project, and one that has tested even our own experience and patience. We supported the hull with extra 2x8s once we were able to get her straight…with much measuring, leveling, and using a plum bob. Now it was on to removing first the keel, then the stem/gripe and once those were finished the frames…one by one. As you can see from the photos there were literally little if any patterns to work from. So, we made our patterns from ¼” plywood and fit them to the boat…planning-fitting-planning-fitting, etc. etc. Once we had the fit we used the new template and traced it onto new mahogany. It was extremely time consuming but it worked like a champ. We left the chines in to help us keep a visual perspective. We temporarily fastened the frames in place with just a few fasteners until we were finished with the chines. We cut and planed them into the correct size then steamed them for about two hours so they would make the bend without cracking. Before steaming we had to scarf two sections together to make one piece long enough to run the length of the hull. We cut a ten inch scarf joint then used WEST to join them together with several temporary fasteners which would be removed later in lieu of through bolting with carriage bolts…which provides a lot more strength. Perhaps a little overkill…but we don’t want and problems down the road, so why not a little insurance?
After steaming we used C-clamps and clamped the chines to the hull plank/battens itself which is a lot easier than trying to fit her into place right off the bat. Once she held her shape we then fit her into place and it was nearly a glove fit. So we fastened the chine and then installed the carriage bolts at the scarf joint. At that point we fastened the frames/gussets with carriage bolts into the keel and engine stringers. It’s just amazing how strong that darn thing is now, and she would not budge. What an improvement!
Once that was finished we faired the frames then sealed painted with CPES/bilge paint. Now we’re finally ready to begin on the bottom. I’m sure I heard the boat whisper, ‘Thank you! My back hasn’t felt that good in years!’
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********* UPDATE *********
Well, this boat has become quite a project. After getting the entire framework back in good condition, we dry-fitted the Okume inner layer and then attached with a bead of 5200 on the frames, chine, and keel. Then it was onto dry fitting the outer mahogany planking, sealing and then putting that down. No problems and all went fine. Once the bottom was sanded it was time to drill the shaft and rudder hole in the new keel. The easiest and most accurate way to do this is by temporarily attaching the strut and then using a shaft with a slightly oversized forstner bit fitted into the end. We had two different sizes of these ‘shaft drilling tools’ made up for the different shaft diameters by our neighboring machine shop. They work like a champ and it only takes about five minutes to drill the hole…and it’s perfect when finished. (If you need one of these let me know and I can have one made for you.) Be sure to have a block of wood attached to the keel just forward of where the bit will be entering the keel, otherwise the bit will veer off track due to the extreme angle. Cut the block of wood where it meets the bit at the appropriate angle…it just makes things easier and cleaner. Two coats of sealer, two coats of 2000E primer, followed by two coats of bronze bottom paint and now it looks beautiful and will keep that darn water out.
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We decided to remove the old planks and battens while she was upside down. The owner wanted to preserve the original Spanish cedar planking if at all possible, but the battens definitely had to be replaced. We saved most of the original planking, but it took much effort to patch and repair the existing wood. As a side note, unless you are really set on saving original, and marginal, wood I believe it’s always best to replace with new. The cost difference is not all that much and you will be much happier with the result. That being said, the cedar turned out quite nice after all our time. She’s rolled back over now and it’s on to new decks, final fairing, and then the fun refinishing.
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1950 Century 20' Resorter
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I’m sure you can tell from the photos this poor lady had a run-in with a bad fire. As I understand it, this Resorter was stored in a building where a fellow was working with a torch on his car when things got a little out of control. Much was lost in the fire, and nearly this Century as well. Fortunately she was saved…depending on your perspective. She’s to receive the full makeover with new 5200 bottom, all new decks and hullsides, interior, chrome, and replacement power…going with a similar vintage V8 over the smaller six cylinder she had originally. Centurys are known for speed, so she’ll definitely have it with V8 power.
As always, we are starting with the bottom. After we made sure the hull was straight she was braced up and rolled over to begin the messy job of removing the old planks. We immediately noticed the keel was...well, a little ‘hogged’. It was also cracked in several areas and rotted in others. So, we removed that as well for replacement. It was no surprise that the triple-piece bottom transom frame was also completely shot. Our Century record is intact…every triple-piece bottom frame we’ve seen has been bad. There were minor cracks in several other frames, but to our pleasant surprise nearly all were in very good condition, escaping the fire’s wrath. A small section of the stem was soft, but not enough to warrant a complete replacement so we did a small repair with WEST and she’s as good as new. The cutwater also covers that particular section, so it will not only be strong but also invisible. Century had a single planked, batten-seam bottom but we always do the double-planked bottoms like Chris-Craft. It makes a stronger, more watertight bottom. As all the seams are over frames and battens it has the appearance of an original-type Century bottom.
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********* UPDATE *********
Things are progressing quite nicely on this Resorter. Now we’re ready to roll her back over and begin what in my opinion is one of the most fun tasks on doing a total project like this…planking the hullsides and decks. Many amateurs are scared to death of doing this, but if you take your time and make small adjustments anyone can do it. But I digress. We dry fitted all the bottom planking before attaching with 5200. For some pleasant reason these planks laid down nearly perfect the first time I cut each plank…a first for me. Many emails asking me how tight the planks should fit. I’ve included a photo with a ‘penny’ snuggly fit between two of the planks, or about 1/16” of an inch. Too tight and not enough 5200 will ooze out; too loose and it will allow some degradation in the overall support of the wood. So, allow about a penny’s width as a good measure for the gaps. A smidge over or under is not the end of the world, but get it as close as you can.
You’ll also notice a LOT of washers near the bow. I’ve learned from experience (lots of cracked boards) that it’s better to use too many washers than not enough. There is a lot of stress on these boards as they bend and conform to the bow, so it’s not worth taking a chance to come in the next morning and see that that board you spent an hour shaping is now infected with numerous cracks at the screw holes. Better safe than sorry. Next we did our normal treatment of CPES, 2000e, and just one coat of bottom paint at this time. Our next task was fabricating two new splash rails, as the others were just plain toast (it was in a fire after all). We cut two pieces of white oak to length and width before cutting the fifteen degree angle and the gradual taper as it ends towards the cutwater. White oak does not want to bend without a fight, so we soaked and then steamed the two pieces for two hours. It’s amazing how easily they conformed to the chine. We used 2 ½” dry-wall screws with washers on the outside of the rails to attach them; otherwise the screws in the pre-drilled holes would have pulled through the soft wood. After letting it sit attached to the chine for a few days we removed the splash rails (which retained the curved shape), sealed with CPES then attached with 5200 and screws in the counter-sinked holes. It worked perfect and turned out beautiful. We fabricated the bottom transom plank, attached that with 5200, faired, and then applied several more coats of bottom paint.
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As we put a new keel in her we had to drill a new shaft hole. Several of you have asked the best way to do this. Well, we used to have a small jig with an old shaft log that worked ‘ok’, but a friend of mine came up with a new device that makes it as easy as pie…and quick. He took an old 1” driveshaft, drilled a hole in one end large enough to accept a 1/2” Forstner bit tightened with a small allen screw on both sides of the shaft. On the drill end it’s machined down to fit in the end of a drill. You temporarily attach the strut and a block to help guide the bit as it enters the keel. We had the shaft hole cut in about ten minutes. It works like a champ. Any machine shop can make one of these for you. I hope this helps.
Now, she’s ready to roll over and start that fun (yes, I really do mean fun) job of re-planking.
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********* UPDATE *********
As I mentioned in the previous update, re-planking can be one of the most enjoyable parts of the restoration. New wood always looks great, and it’s really not that hard if you take your time, make small adjustments…and don’t hesitate to pull the plank off just one more time to get that really nice fit. The only drawback on this particular project is the wood the owner provided was nearly thirty years old and proved to be a little brittle, requiring more steaming than normal. If you have to steam to get the curve at the bow without cracking or breaking, first get the basic shape by steaming then fitting to the boat with drywall screws and washers to securely hold the soft plank without pulling through the fasteners and then give it a day or two to retain the desired shape. Once it has the shape you need then you can begin hand planning to get the tight seam fit. Another challenge was this boat was in a pretty bad fire and the original planks made marginal patterns at best, so we had do take a little more time to get them just right.
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We start the initial fairing with 40 grit to get the shape correct, and then move to 60, 80, and finally 100 grit, being sure to exert less pressure on each subsequent grade to make sure we leave no swirl marks. Some will go up to 150 girt, but I don’t believe the wood accepts the stain as well and can result in a blotchy appearance. Long boards are lightly used with 100 grit before bleaching and staining. If you discover any cracked bungs during the final sanding…remove them now and replace. You’ll be sorry later if you don’t.
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Every restorer has a different method, but I like to stain the dark first, let dry for a couple of days, then tape that off and do the blond. After letting that dry for at least two more days, we apply two coats of sealer. We’ll take her to our upholsterer to do some final fitting and then make sure the new V8 engine fits correctly before applying the dozen coats of varnish. Still not done, but at least she’s starting to look like the beautiful boat she once was. Don’t think anyone would know now that she was in a fire. I swear the boat whispered to us the other day, ‘Whew, thanks…now I feel better!’
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********* UPDATE *********
A lot of work has been done to bring this beautiful Resorter back to life. Quite a few parts have been fabricated to replace those lost in the fire, stringers modified to accommodate the new modern power, and all the other factors that go along with restoring a boat that came to us in pieces…many in a box. None-the-less, it’s been fun working on a challenging project…especially when you finally see the finished boat come together.
Now we’re at the point where we finish the mechanicals, install the flooring, convertible top, tie in all the electrical components, and other final details. One of the best parts of this business is you’re usually the one that gets the first ride in the spring to work out any bugs…which there are always a few. The end is in sight, and I know ‘At Last’ will be anxious to go home with her owner soon.
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